New
York State Funding for Arts Education
Partnerships - SAP
Greenbush
Academy with Concerted Effort and
Quilter Irene Wiley - "Opportunities
for Creative Expression through Music & Art"
We wanted
to buld on the foundation of musical
and social skills that our students had
developed in previous partnerships. The
teamwork, coordination, rhythm, and listening
skills required for drumming are especially
valuable for these students, who have
multiple personal and behavioral issues
that affect their learning. One of our
goals was to provide students with a
sense of widening options and opportunities
for growth with the addition of the
quilting component.
Students
practiced teamwork in the drum circle
while developing musicianship skills,
including listening, rhythm, playing
technique, and improvising. They were
motivated to take risks and support each
other. Students were asked
to reflect on and critique their improvisations
and ensemble work during workshops. They
verbalized and wrote down their ideas,
which were incorporated into the improvisations.
We noticed that when a student would
volunteer to conduct an improvisation,
the other students playing would pay
close attention and follow the conducting
cues.
Because
the classes are small and there was good
communication with staff at all levels
(psychologist, social worker, and OT),
each student was able to receive individualized
attention tailored to his/her learning
disabilities and needs. Students experienced
their teachers as peers and co-leaders
within the drum circle, which promoted
bonding in new ways. Teaching artist
Julie Kabat recorded a CD, which highlighted
each class performing, allowed students
to share their achievements, and gave
them a sense of pride.
Quilter
Irene Wiley works with a quilting technique
based on African American history. Each
student made two quilt squares and chose
which squares to include in the finished
quilt. Irene brought the near-completed
quilt back to school for viewing and
discussion. The new quilt will welcome
students as they enter the new school
this coming fall.
One student
with coordination problems and neuromuscular
weakness, who was used to being teased,
gained self-esteem as he learned to drum.
Other students in the class learned to
support him. He began to develop his
own style and learned to find a slower
pace he could play that still fit with
a given tempo. He confidently announced
to Kabat, “I’m
not a fast drummer. I’m a slow
drummer” - he
thought of himself as a drummer!
One class's
students had had major difficulties working
together. Yet during the course of the
project, these students became very motivated
and mastered the most difficult ensemble
piece played by any class, playing solo
parts in polyrhythms. Their work
generally progressed from session to
session, and they cooperated
and supported each other.
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